The School of the Arts (an administrative/programmatic unit within the College of Arts and Sciences) brings together the talents and expertise of the faculty, staff, and students in the Departments of Art and Art History, Music, and Theatre Arts.
The school promotes a wide range of curricular offerings in the visual and performing arts through the various undergraduate and graduate degree programs in art and art history, music, and theatre arts. For the degree requirements and listings of course offerings, please consult the individual departmental descriptions that follow. As well, the school encourages students to seek out and develop interdisciplinary pursuits among the visual and performing arts disciplines. Such pursuits complement interdisciplinary performance and exhibition initiatives engaged in by the three departments.
In addition, the school offers a one-hour course that satisfies the Area 6 requirement of the University Core Curriculum (except for Arts and Sciences majors). Please see below.
Through its Arts at Virginia Tech program, the school provides a broad spectrum of public performance and gallery opportunities for the university community. Ranging from opera/musical theatre through instrumental and choral ensembles to theatre productions in mainstage and studio formats to exhibits in the Armory and XYZ Art Galleries, these events contribute significantly to the cultural life of the university. As spectators/participants or as performers, all students at Virginia Tech are invited to share in these activities; indeed, non-arts majors are specifically encouraged to become involved. Open auditions are generally scheduled at the beginning of each academic term, and curricular credit may be achieved, depending on the performance ensemble or activity.
Each of the three departments in the school offers a number of scholarships for both incoming and continuing students majoring in art and art history, music, and threatre. Scholarships in the amounts between $500 and $1,500 are awarded by the departments annually -- some renewable for four years. For information, write: School of the Arts (0141), Virginia Tech, Blacksburg VA 24061.
Further information on the yearly performance and exhibition offerings and the departmental curricula is available on the School of the Arts web site: http://www.sota.vt.edu
2004: CREATIVITY & AESTHETIC EXPERIENCE
Guided exposure to participation in various experiences in the visual and performing arts; interaction with both historians/critics and practitioners prior to and after such experiences; examination of the many processes through which the visual and performing arts are created and communicated and how these arts illuminate and help to explain human experience. May not be repeated for credit. Pass/fail only. (1H,1C). I,II.
Professors: G. S. Bickley; D.F. Crane; R. J. Fields; R. H. Graham; R. R. Kass
Associate Professors: T. Capone; D. S. Myers; L. B. Van Hook
Assistant Professors: S. Cornelison; A.M. Knoblauch; Y. White
Instructors: B. Bannan; S. Chandler; K. Pinkerton; J. Rosenthal
Adjunct Professors: J. Niewald; K. Pinkerton
Career Advisors: R. J. Fields, Graphic Design (231-6005);
R. R. Kass, General Studio (231-1708);
A.M. Knoblauch, Art History (231-8417)
The Department of Art and Art History's programs offer creative, practical studio experience, balanced with critical study of the great art of the past and of significant movements in contemporary art. Each programmatic aspect of the study stresses ways in which artists or art historians confront fundamental issues of human existence. The department provides a variety of events, activities, and exhibitions to the university community, and its faculty are active in interdisciplinary teaching and research. The Armory Art Gallery is an educational and outreach program of the department. Its exhibition calendar, which coincides with the academic year, includes work by nationally and regionally prominent artists, shows of local interest, and displays of student art. Through its sponsorship of the Mountain Lake Symposia and Workshops, the department annually brings students and members of the art community into dialogue with artists and critics of international prominence.
The department participates in the university's Study Abroad Program which is open to students at the sophomore level or above, and combines classroom study with travel-study tours. Please consult the division of International Programs for specific travel study opportunities.
The department offers the bachelor of arts (B.A.) in graphic design, studio art, and art history. Bachelor of fine arts (B.F.A.) degrees are offered in graphic design or studio art (ceramics, drawing, painting, sculpture). All degrees are designed for completion in four years. Students must maintain at least a 2.00 GPA in the major. Please contact the department for specific degree requirements and recommended course progressions.
All majors in the department must successfully complete the two-semester Survey of the History of Western Art(ART 2385-86) and the co-requisite Survey Discussion sections (ART 2384). Students who substitute Arch 3115 and/or Arch 3116 for ART 2385 and ART 2386 or students who enter the major after taking ART 2385 and ART 2386 without taking ART 2384, must take ART 2384 in the fall and spring semesters (two credits total), ART 3384 or ART 3884 to fulfill the in-major writing intensive Core requirement. Transfer credit for the art history survey courses from other institutions requires evaluation by and permission of the art history faculty. All transfer students must fulfill the in-major writing intensive Core requirement.
B.A., Art History
| Art & Art History | 35 credits |
| Related Courses | 6 credits |
| Core Curriculum | 26-38 credits |
| Free Electives | 53 credits |
| Total | 120 credits |
|---|
B.A., Graphic Design
| Art & Art History | 51-63 credits |
| Core Curriculum | 32-38 credits |
| Free Electives | 19-37 credits |
| Total | 120 credits |
|---|
B.A., Studio Art
| Art & Art History | 48-63 credits |
| Core Curriculum | 32-38 credits |
| Free Electives | 19-40 credits |
| Total | 120 credits |
|---|
B.F.A., Graphic Design
| Art & Art History | 78 credits |
| Core Curriculum | 32-38 credits |
| Free Electives | 4-10 credits |
| Total | 120 credits |
|---|
B.F.A., Studio Art
| Art & Art History | 78 credits |
| Core Curriculum | 32-38 credits |
| Free Electives | 4-10 credits |
| Total | 120 credits |
|---|
Students who choose the art history option must successfully complete 3 hours of studio art, 6 hours of ancillary course work, and the following art history courses: ART 2384 (1 and 2), ART 2385 and 2386; ART 3084 or 3184, ART 3284 or 3384, ART 3484 or 3584, and ART 3784 or 3884; and 4 courses at the 4000 level.
Required Art History and Ancillary Courses:
ART 1504: Foundations in Art & Design
or ART 1514: Basic Drawing3 ART 2384: Survey Discussion Section (repeat for 2 s.h.)
(MUST be taken with 2385, 2386)2 ART 2385, 2386: Survey of the History of Western Art3 6 ART 4384: Topics in Art History 1, 2 12 Three credits in History (not Hist 1025, 1026) 3 3 Hum 1114, 1124, 1214, 1224, 1314, or 1324 3 One of the following: 3 ART 3084: Greek Art and Architecture ART 3184: Roman Art and Architecture One of the following: 3 ART 3284: Medieval Art and Architecture ART 3384: Renaissance Art and Architecture One of the following: 3 ART 3484: Baroque and Rococo Art and Architecture ART 3584: Nineteenth-Century Art: Neo-Classicism to Post-Impressionism One of the following: 3 ART 3784: Twentieth-Century European and American Art ART 3884: American Art to 1914
1 Each 3-credit course may be repeated with a different topic for a total of 12 credits. Art 4974 may be substituted for 3 credits with permission of the student's advisor.
2 Credit for Art 4384, when used to complete graduation requirements in the art history option, may not be transferred from a previous institution
3 These courses also fulfill the Area 6 requirement of the Arts and Sciences Core Curriculum.
4 All majors must take ART 2384 when they enroll in ART 2385, and must enroll for ART 2384 again when they sign up for ART 2386.
Scholarship support is available. Please refer to the School of the Arts general information section for details.
A minor in Art or Art History requires completion of 18 semester hours. Checklists of specific requirements are available from the department.
Majors in all Art degree programs must satisfy in full requirements of the College of Arts and Sciences Core Curriculum. Art 2385 (required) satisfies Core Area 6. The department has no other specific requirements for completing the Core.
According to university policy, a student is making satisfactory progress toward the degree if minimum criteria toward completion of Core Curriculum requirements and departmental degree requirements have been met. Upon completion of 72 credits (including transfer, advanced placement, advanced standing, credit by examination, and freshman rule), students in the following programs will be certified by the department as making satisfactory progress toward the degree if they have completed the requirements below.
B.A., Art History
| ART 1504 or ART 1514 | 3 |
| ART 2384 | 2 |
| ART 2385, 2386 * | 6 |
| 3000- and 4000-level art history | 24 |
| History (not HIST 1025 or 1026) | 3 |
| HUM 1000-level | 3 |
| Total | 41 |
|---|
B.A., Graphic Design
| ART 1504, 1514, and 2504 | 9 |
| ART 2384 | 2 |
| ART 2385, 2386 * | 6 |
| ART 2575-2576 | 6 |
| ART 2524, 2544, 2554 (choose 2) | 6 |
| ART 3574 | 3 |
| ART 3784 | 3 |
| Total | 35 |
|---|
B.A., Studio
| ART 1504, 1514, and 2504 | 9 |
| ART 2384 | 2 |
| ART 2385, 2386 * | 6 |
| ART 3784 | 3 |
| ART 2514, 2524, 2544, and 2554 | 12 |
| 3000-level studio Topics course | 3 |
| ART 3784 | 3 |
| Total | 38 |
|---|
B.F.A., Graphic Design
| ART 1504, 1514, and 2504 | 9 |
| ART 2384 | 2 |
| ART 2385, 2386 * | 6 |
| ART 2575-2576 | 6 |
| ART 2524, 2544, and 2554 | 9 |
| 3000-level studio Topics course | 3 |
| ART 3574 | 3 |
| ART 3784 | 3 |
| Total | 41 |
|---|
B.F.A., Studio
| ART 1504, 1514, and 2504 | 9 |
| ART 2384 | 2 |
| ART 2385, 2386 * | 6 |
| ART 3784 | 3 |
| ART 2514, 2524, 2544, and 2554 | 12 |
| 3000-level studio Topics courses | 6 |
| ART 3784 | 3 |
| Total | 41 |
|---|
* These courses also fulfill the Area 6 requirement of the Arts and Sciences Core Curriculum. All majors must take ART 2384 when they enroll in ART 2384, and must enroll for ART 2384 again when they register for ART 2386.
Art and Design Appreciation
1004: EXPERIENCING ART
This one-hour lecture course introduces fundamental aesthetic ideas, design principles, and media and methods common to the visual arts. Exposure to a wide range of fine and applied art and design, from many different cultures and periods of human history. Pass/Fail only. (1H,1C) I,II.
1114: LIVING WITH ART AND DESIGN
In this three-hour course, design principles are discussed in terms of their application in fine, applied, and commercial art, the built environment, and multimedia. Through slides, electronic image data banks, and videos, as well as in-class presentations, discussions, and visits to local collections and art events, this course explores how the fine and applied arts interact with significant cultural, societal, and economic forces that shape our private and professional lives. (3H,3C) I,II.
Studio Art and Graphic Design
1504: FOUNDATIONS OF ART AND DESIGN
An introduction to the fundamentals of studio practice in the visual arts. Projects, problem-solving through study and application of the basic principles of art and design. Two- and three-dimensional composition, and introductory drawing are stressed. A prerequisite required for all art majors and minors before entry into upper-level courses of studio art. FEES REQUIRED. (1H,5L,3C).
1514: BASIC DRAWING
Methods and concepts fundamental to drawing for the beginning student. No previous experience necessary. Emphasis on controlled use of common drawing media for representational and expressive purposes. FEES REQUIRED. (1H,5L,3C).
2504: INTRODUCTION TO DIGITAL ART AND DESIGN
The student will investigate the computer as an artistic medium and design tool, deriving images from various sources. The creative and aesthetic potential of the computer will be explored. No previous computer experience necessary. Writing intensive. Pre: 1504. (1H,5L,3C) I,II,III.
2514: LIFE DRAWING
Drawing the human figure from life. Emphasis on observation, construction, and anatomy. FEES REQUIRED. Pre: 1514. (1H,5L,3C).
2524: INTRODUCTION TO PAINTING
Students will explore painting practices and their relationship to art and design in contemporary culture, and develop basic painting skills and an understanding of various painting media. Encompasses illustrational technique and practical applications, expressive and abstract approaches to painting. FEES REQUIRED. Pre: 1504. (1H,5L,3C).
2534: INTRODUCTION TO WATERCOLOR
An introduction to the fundamentals of watercolor painting for art students and non-art majors in design-related programs. Explores transparent and opaque watercolors, alone and in conjunction with other media. Course will include study components of drawing and design to prepare students to successfully accomplish introductory watercolor experiences. FEES REQUIRED. Pre: 1504. (1H,5L,3C).
2544: INTRODUCTION TO CERAMICS
Basic investigations into the materials, techniques, history and appreciation of the ceramic arts. Ceramic processes and technology including hand forming and wheel throwing methods, glazing, and kiln firing. Design concepts as they relate to clay objects are stressed. Historic and contemporary ceramic objects along with methods and traditions of cultures from around the world will be introduced through a range of media. FEES REQUIRED. Pre: 1504. (1H,5L,3C).
2554: INTRODUCTION TO SCULPTURE
An introduction to sculptural processes and materials in art and design. Intensive studio work on individual projects. Review of historical and contemporary issues as applied to the definition of space, texture, mass, volume, scale and other principles of three-dimensional art. FEES REQUIRED. Pre: 1504. (1H,5L,3C).
2575-2576: INTRODUCTION TO GRAPHIC DESIGN
Introduction to the theory and practice of graphic design as a means of visual communication, exploring problem-solving as applied to design concepts and execution. Studio assignments relating to society, industry, community, and commerce, with emphasis on digital/electronic applications. FEES REQUIRED. Pre: 1504, 2504. (1H,5L,3C).
2964: FIELD STUDY
Pass/Fail only. Variable credit course.
2974: INDEPENDENT STUDY
Variable credit course. I,II,III,IV,V.
2984: SPECIAL STUDY
Variable credit course.
3504: TOPICS IN DIGITAL ART AND DESIGN
Rotating topics that explore the computer as an artistic medium and design tool. Intermediate level. The student will encounter as interdisciplinary approach to the use of the computer, as aesthetic ideas are presented and various digital techniques are applied. Stresses use and manipulation of original images created by the student, employing a combination of digital and traditional methods. FEES REQUIRED. May be repeated for a maximum of 9 hours with different topics. Pre: 2504. (1H,5L,3C).
3514: TOPICS IN DRAWING
Rotating topics in drawing media, approaches, and theories. All topics will be devoted to promoting individual student creativity, mastery of drawing means and techniques, and further understanding of graphic concerns. FEES MAY BE REQUIRED. May be repeated for a maximum of 9 hours with different topics. Pre: 1514, 2514. (1H,5L,3C).
3524: TOPICS IN PAINTING MEDIA
Rotating topics in painting techniques, disciplines, and theory emphasizing individual creative development and skilled approaches to technical problem-solving in visual art and design. Intermediate level. FEES MAY BE REQUIRED. May be repeated for a maximum of 9 credits with different topics. Pre: 2524 or 2534. (1H,5L,3C).
3544: TOPICS IN CERAMICS
Rotating topics in special techniques, processes, design concepts and forms in the ceramic arts. May be repeated for a maximum of 9 hours with different topics. FEES REQUIRED. Pre: 2544. (1H,5L,3C).
3554: TOPICS IN SCULPTURE
Rotating topics that will focus on specific technical processes and applications of three dimensional problem solving in the visual arts. The course will stress techniques and issues found in contemporary 3D art and design. Emphasizes intensive studio practice through a series of individual projects related to the topics. FEES REQUIRED. May be repeated for a maximum of 9 credits with different topics. Pre: 2554. (1H,5L,3C).
3565-3566: INTERMEDIATE GRAPHIC DESIGN I AND II
Intermediate design layout, technical and concept development, and communication skills. First semester emphasizes advanced and new software relevant to the design, advertising, and printing industry. Second semester focuses on typography, professional pre-press, electronic printing, and color separation processes. FEE REQUIRED. Pre: 2576. (1H,5L,3C).
3574: TOPICS IN GRAPHIC DESIGN
Rotating topics in graphic design, for the intermediate level student. This course will encourage visual problem-solving, conceptual development, clarity and individuality of expression. May be repeated for a maximum of 9 credits with different topics. Pre: 2575, 2576. (1H,5L,3C).
3954: STUDY ABROAD
Variable credit course. X-grade allowed.
3984: SPECIAL STUDY
Variable credit course.
4504: MULTIMEDIA STUDIO
This studio course investigates computer-based multimedia in the visual arts and applied design. Video, photography, computer art and design may be used with traditional media and communication vehicles. May be repeated for a maximum of 6 credits. Two 3000-level courses required. Pre: 1504, 1514, 2504. (1H,5L,3C).
4514: INTERARTS STUDIO
This studio course will investigate new approaches to art-making and new genres, such as performance art and site-specific installation. Interdisciplinary basis for course may incorporate traditional studio practices and media in the visual arts, music and theatre arts, and appropriate technology in computer, video, and film. May be repeated for a maximum of 6 credits with different topics. 3000-level Studio or Art History course required. (1H,5L,3C).
4524: PICTORIAL ARTS STUDIO
Rotating topics in the two dimensional arts, at an advanced level. All topics will challenge the student to develop stronger, independently generated work of portfolio quality. May be repeated for a maximum of 6 credits with different topics. 3000-level Painting or Drawing course required. (1H,5L,3C).
4534: APPLIED ART AND DESIGN STUDIO
Rotating topics about functional art and design. Students will use appropriate materials, tools, and processes in the creation of functional artworks, such as furniture, tiles, tableware, etc. Function and design aesthetics emphasized. May be repeated for a maximum of 6 credits with different topics. Pre: 2544 or 2554. (1H,5L,3C).
4554: SPATIAL ARTS STUDIO
Advanced level, rotating topics in the three dimensional arts. All topics will challenge the student to develop stronger, independently generated work of portfolio quality. May be repeated for a maximum of 6 credits with different topics. 3000-level Ceramics, Sculpture or Applied Art course required. (1H,5L,3C).
4564: EXHIBITION DESIGN AND DISPLAY
This course will focus on the display and presentation of visual art, using local galleries as venues for student- designed exhibitions. Provides experience in the public art arena, and practical knowledge about planning, designing, and mounting an exhibition. 3000-level Studio or Art History course required. (1H,5L,3C).
4574: ADVANCED VISUAL COMMUNICATIONS
A further refinement of design theory and practice, and communication skills. Emphasis on the conceptual development of expanded project formats, and individual creativity. This class will provide a principal opportunity for building a viable portfolio. FEES REQUIRED. 6 credits of Art 3574 required. (1H,5L,3C).
4584: PROFESSIONAL STUDIO PRACTICE
Preparing slides, portfolio, resume in reference to graduate schools, competitions, galleries and grants. One credit- hour course, offered Fall semester to Studio majors only; Spring semester to Graphic Design majors only. Senior standing required. Pass/Fail only. (1H,1C).
4894: SENIOR STUDIO
Preparation and presentation of concentrated studio work under faculty supervision, culminating in solo exhibition and/or formal portfolio. May be extended over two semesters with final grade assigned on completion. Or may be repeated for a total of 6 credits at a maximum of 3H, 3C per semester. Senior standing and consent of department head required. Variable credit course. I,II,III.
4964: FIELD STUDY
Pass/Fail only. Variable credit course.
4974: INDEPENDENT STUDY
Variable credit course.
4984: SPECIAL STUDY
Variable credit course.
4994: UNDERGRADUATE RESEARCH
Variable credit course.
Art History
2384: SURVEY DISCUSSION SECTION
Discussion in greater depth and additional writing on material presented in the 2385, 2386 lectures. Writing intensive. May repeat for maximum of 2H, 2C. Required for Art Majors. Co: 2385, 2386. (1H,1C) I,II.
2385,2386: SURVEY OF THE HISTORY OF WESTERN ART
Survey of art and architecture of Western Europe. 2385: emphasis on Greek, Roman, and medieval 2386: from ca. 1300 to the contemporary period; works of major masters. (3H,3C) 2385: I,III,IV; 2386: II,III,IV.
2964: FIELD STUDY
Pass/Fail only. Variable credit course.
2974: INDEPENDENT STUDY
Variable credit course. I,II,III,IV,V.
2984: SPECIAL STUDY
Variable credit course.
3004: TOPICS IN ART HISTORY
Rotating topics from all periods of art history with a particular emphasis on non-Western art, such as Japanese, Chinese, pre-Columbian, sub-Saharan, Native American, or Islamic art and architecture. Lecture and/or undergraduate seminar format. May be repeated for credit with different content for a maximum of 9 credits. Pre: 2385 or 2386. (3H,3C) I,II.
3084: GREEK ART AND ARCHITECTURE
Painting, sculpture, and architecture of the Greeks, ca. 1000-31 BC Emphasis on correlation of archaeological remains with literary sources, and on the development of the arts in relation to cultural environments of the archaic, classical, and Hellenistic periods. Pre: 2385. (3H,3C) I,II.
3184: ROMAN ART AND ARCHITECTURE
Painting, sculpture, and architecture of the Romans 500 BC - 323 AD Emphasis on relation between monuments and the political and cultural circumstances that led to their creation. Pre: 2385. (3H,3C) I,II.
3284: MEDIEVAL ART AND ARCHITECTURE
The painting, sculpture, and architecture of the 4th through the 14th centuries in the Latin West, with an emphasis on the Romanesque and Gothic Periods. Pre: 2385. (3H,3C) I,II.
3384: ITALIAN RENAISSANCE ART AND ARCHITECTURE
The history of Italian Renaissance Art with an emphasis on painting and sculpture from Giotto through Mannerism. Major stylistic trends are discussed in the historical contexts of artistic techniques, patronage, iconography, and the primary literature on art of the period. Writing intensive. Pre: 2386. (3H,3C) I,II.
3484: BAROQUE AND ROCOCO ART AND ARCHITECTURE
Seventeenth-Century Baroque and Eighteenth-Century Rococo Art of Europe, with an emphasis on painting, sculpture, and architecture. Major artistic trends in Italy, Spain, Flanders, Holland, and France are discussed in their historical, cultural, and social context. Pre: 2386. (3H,3C).
3584: NINETEENTH-CENTURY ART: NEO-CLASSICISM TO POST-IMPRESSIONISM
European art of the nineteenth-century. A chronological study of neoclassicism, romanticism, realism, impressionism, symbolism and post-impressionism. Pre: 2386. (3H,3C) I,II.
3784: TWENTIETH-CENTURY EUROPEAN & AMERICAN ART
European and American art of the twentieth century. A chronological study of art from neo-impressionism through postmodernism. Pre: 2386. (3H,3C) I.
3884: AMERICAN ART TO 1914
American art from its colonial beginnings until World War I. Writing intensive. Pre: 2386. (3H,3C) I.
4384: TOPICS IN ART HISTORY
Advanced art history elective. Rotating topics from all periods of art history, selected to complement offerings at the 3000-level. Topics such as Greek Sculpture, Roman Painting, Renaissance and Baroque Sculpture, Cubism, and Fauvism indicated by timetable. Lecture and/or undergraduate seminar format. May be repeated for credit for a maximum of 18 credits. Pre: 2385 or 2386. (3H,3C).
4484: TOPICS IN ART CRITICISM AND METHODOLOGY
Advanced art history elective. Rotating topics in the criticism of art and the methodology of art history and criticism, selected to complement offerings at the 3000-level. Topics such as the History of Art Criticism from Baudelaire to the Present, New Methods in Renaissance and Baroque Art History, and the Theory of Art from various periods, indicated by timetable. Lecture and/or undergraduate seminar format. May be repeated for credit with different content to a maximum of 9 credits. Pre: 2385 or 2386. (3H,3C).
4974: INDEPENDENT STUDY
Variable credit course.
4984: SPECIAL STUDY
Variable credit course.
4994: UNDERGRADUATE RESEARCH
Variable credit course.
Please see the Graduate Catalog for graduate course listings.
Professors: A. H. Bachelder; C. V. Burnsed; K. A. Holliday; J. R. Sochinski; D. R. Widder
Associate Professors: R. C. Cole; W. J. Crone; W. E. Easter; S. C. Fields; J. M. Floyd; W. J. Glazebrook; M. L. Hallauer; J. R. Howell; J. S. Husser; D. C. Jacobsen; L. E. Lyons; P. L. Simpson
Assistant Professor: N. B. McDuffie
Instructors: M. E. Dunston; D. M. McKee; G. R. McNeill; J. L. Shew
Career Advisor: (231-5685)
Current information: http://www.music.vt.edu
Please visit the web site listed above for timely information. The Virginia Tech Department of Music provides high-quality training to a select number of music majors, as well as ensembles and courses for large numbers of non-music majors. Instruction takes place in a handsome new facility which has superb rehearsal rooms, well-designed practice rooms and music teaching studios, a beautiful acoustically engineered Recital Salon, and laboratories with state-of-the-art electronic equipment for music study, recording, and digital music.
The curriculum offers an excellent liberal arts education with a low professor/student ratio combined with the library, computer facilities, and cultural interaction which only a major comprehensive university can provide. Learning is enhanced by the use of music technology across the curriculum and innovative programs such as laboratory ensembles and extensive teaching experiences in the music education program. Together with traditional degree programs in Performance, Music Education, and Theory/Composition, students may design a degree plan combining music with virtually all other majors offered by the university.
Virginia Tech faculty artists and scholars have performed and lectured at conventions, in music festivals, and on concert series throughout the United States and in Canada, Europe, Asia, and South America. Each year, internationally known guest artists join forces with our award-winning Audubon Quartet who perform over 150 concerts each year around the world.
Prospective music majors must successfully complete an audition/interview. Contact the chairperson of the Scholarship and Audition Committee, the Department of Music, 241 Squires Student Center, Blacksburg, Virginia 24061-0240 to receive information concerning auditions and scholarship opportunities. Scholarship support is available. Please also refer to the School of the Arts general information section for details.
The major in music, leading to a B.A., emphasizes four areas of music: music education; performance; theory/composition and designed option. This designed option area is provided as a means for a student to tailor music and non-music courses into a curriculum that best meets the interests of the student. In addition to fulfilling the core curricula requirements of the university and the College of Arts and Sciences, the music major must pursue a concentration in one of the above areas of emphasis.
There are five primary options available to music majors. These are:
There are pre-approved curricula in both of the designed options in the area of music technology and a pre-approved curriculum in the 78-credit Designed Option in the area of Jazz. Pre-approved curricula also are available in the 50-credit Designed Option in performance and composition.
In addition, all music majors must meet a minimum level of piano proficiency no later than two semesters prior to graduation. Music majors are expected to participate in an ensemble or as an accompanist every semester of residence and attend a minimum number of concerts and recitals. Additional curriculum and policy information is available in the Handbook for Music Majorsavailable in the department office.
The minor in music consists of 22 semester hours selected from performance, history/literature, and theory/composition. Interested students should contact Dr. John M. Floyd, Virginia Tech, Department of Music, 247 Squires Student Center, Blacksburg, Virginia 24061-0240 or at (540) 231-5604 for the exact requirements.
University policy requires that students who are making satisfactory progress toward a degree meet minimum criteria toward the University Core (see "Academics" chapter in this catalog), toward the Arts and Sciences College Core (see first part of this chapter), and toward the degree in music.
Satisfactory progress toward the B.A. in Music requires that:
| MUS 2025, 2026: Theory/Harmony | 6 |
| MUS 2045, 2046: Harmony/sightsinging Lab | 2 |
| MUS 3135, 3136: History and Analysis of Musical Styles | 6 |
| MUS 3145, 3146: Styles Lab | 2 |
| MUS 3314: Instrumental Ensemble Music
or MUS 3414: Choral Ensemble Music | 2 |
| MUS 2514: Individual Applied Voice | |
| Credits | (20) |
|---|
1005-1006: THEORY/FUNDAMENTALS
Development of understanding the basic components of the composition of music through reading and writing the symbolic notation as it appears on the page, and realizing the experimental and expressive content of music performance through singing, ear training, and practice at a keyboard instrument. (3H,3C) I,II.
1104: MUSIC APPRECIATION
Introduction to fundamental aspects of Western Art Music of major periods to give the student a basic understanding of the breadth and nature of this art form. (3H,3C) I,II.
2025-2026: THEORY/HARMONY
Study of structure, relationship, and function of chords through harmonization of bass and melody lines and through written analysis. Majors and minors only. Pre: 1006. Co: 2035, 2045 for 2025; 2036, 2046 for 2026. (3H,3C) I,II.
2035-2036: HARMONY LABORATORY
Aural study of rhythm, melody, and harmony, in conjunction with written and analytic studies in 2025-2026. Majors and minors only. Co: 2025, 2045 for 2035; 2026, 2046 for 2036. (3L,1C)
2045-2046: SIGHTSINGING LABORATORY
Study and practice of techniques involved in the sight reading and sightsinging of printed music. Majors and minors only. Co: 2025, 2035 for 2045; 2026, 2036 for 2046. (3L,1C) I,II.
2054: INTERMEDIATE MIDI APPLICATIONS
Application of intermediate MIDI techniques, MIDI hardware and MIDI software for music synthesis, transcription and performance. Fundamental musical acoustics and synthesizer programming. Fundamental digital sound processing and analog recording techniques. Prepares student to utilize music technologies effectively in teaching, performance and creative work. Pre: 2025. (3H,3C) II.
2055-2056: AUDIO TECHNOLOGY FOR MUSIC
Develops basic understanding of audio technology for musical applications, focusing on today's digital audio recording and editing technologies including microphone use, live recording, and studio session recording. Develops critical listening skills through lab experimentation and recording. Pre: 2054 and permission of instructor required. 2055: I, 2056: II Pre: 2054. (3H,3C)
2115,2116: SURVEY OF MUSIC
Music and composers of all historical periods will be heard and studied to acquaint the students with the music of Western Civilization. The emphasis will be on listening rather than on reading, writing, and performing music skills. (3H,3C) I,II.
2214: CLASS APPLIED PIANO
Group piano lessons for beginners or for students at an early stage of keyboard development. May be repeated for 1 credit. Consent required. (3L,1C) I,II.
2224: CLASS APPLIED VOICE
Group voice lessons for beginners or for students at an early stage of vocal development. May be repeated for 1 credit. Consent required. (3L,1C) I,II.
2234: CLASS APPLIED STRINGS
Group string lessons for beginners or for students at an early stage of string development. May be repeated for 1 credit. Consent required. (3L,1C) I.
2244: CLASS APPLIED WOODWINDS
Group woodwind lessons for beginners or for students at an early stage of woodwind development. May be repeated for 1 credit. Consent required. (3L,1C) II.
2254: CLASS APPLIED BRASS
Group brass lessons for beginners or for students at an early stage of brass development. May be repeated for 1 credit. Consent required. (3L,1C) II.
2264: CLASS APPLIED PERCUSSION
Group percussion lessons for beginners or for students at an early stage of development. May be repeated for 1 credit. Consent required. (3L,1C) I.
2514: INDIVIDUAL APPLIED VOICE
Individual instruction in voice. May be repeated. Consent and audition required. Variable credit course. I,II,III.
2515-2516: VOCAL DICTION
An introduction to principles of vocal diction for singing using the International Phonetic Alphabet and standard foreign-language pronunciation techniques. Two semesters. Fall semester: Italian, Latin, and English. Spring semester: French and German. One credit hour. Pre: 2514 or 4514. (1L,1C) I,II.
2524: INDIVIDUAL APPLIED KEYBOARD
Individual instruction in keyboard. May be repeated. Consent and audition required. Variable credit course. I,II,III.
2534: INDIVIDUAL APPLIED VIOLIN
Individual instruction in violin. May be repeated. Consent and audition required. Variable credit course. I,II,III.
2544: INDIVIDUAL APPLIED VIOLA
Individual instruction in viola. May be repeated. Consent and audition required. Variable credit course. I,II,III.
2554: INDIVIDUAL APPLIED CELLO
Individual instruction in cello. May be repeated. Consent and audition required. Variable credit course. I,II,III.
2564: INDIVIDUAL APPLIED BASS
Individual instruction in bass. May be repeated. Consent and audition required. Variable credit course. I,II,III.
2574: INDIVIDUAL APPLIED FLUTE
Individual instruction in flute. May be repeated. Consent and audition required. Variable credit course. I,II,III.
2584: INDIVIDUAL APPLIED OBOE
Individual instruction in oboe. May be repeated. Consent and audition required. Variable credit course. I,II,III.
2594: INDIVIDUAL APPLIED CLARINET
Individual instruction in clarinet. May be repeated. Consent and audition required. Variable credit course. I,II,III.
2614: INDIVIDUAL APPLIED SAXOPHONE
Individual instruction in saxophone. May be repeated. Consent and audition required. Variable credit course. I,II,III.
2624: INDIVIDUAL APPLIED BASSOON
Individual instruction in bassoon. May be repeated. Consent and audition required. Variable credit course. I,II,III.
2634: INDIVIDUAL APPLIED HORN
Individual instruction in horn. May be repeated. Consent and audition required. Variable credit course. I,II,III.
2644: INDIVIDUAL APPLIED TRUMPET
Individual instruction in trumpet. May be repeated. Consent and audition required. Variable credit course. I,II,III.
2654: INDIVIDUAL APPLIED TROMBONE
Individual instruction in trombone. May be repeated. Consent and audition required. Variable credit course. I,II,III.
2664: INDIVIDUAL APPLIED BARITONE
Individual instruction in baritone. May be repeated. Consent and audition required. Variable credit course. I,II,III.
2674: INDIVIDUAL APPLIED TUBA
Individual instruction in tuba. May be repeated. Consent and audition required. Variable credit course. I,II,III.
2684: INDIVIDUAL APPLIED PERCUSSION
Individual instruction in percussion. May be repeated. Consent and audition required. Variable credit course. I,II,III.
2714: INDIVIDUAL APPLIED HISTORICAL WIND INSTRUMENTS
Individual instruction in historical wind instruments. May be repeated. Consent and audition required. Variable credit course. I,II,III.
2724: INDIVIDUAL APPLIED HISTORICAL STRING INSTRUMENTS
Individual instruction in historical string instruments. May be repeated. Consent and audition required. Variable credit course. I,II,III.
2734: INDIDIVUAL APPLIED COMPOSITION
Individual instruction in composition. May be repeated. Consent and audition required. Variable credit course. I,II,III.
2815-2816: JAZZ IMPROVISATION
Fundamental principles of jazz improvisation. Topics include interval relationships, chord indentification, modes and modality, blues and ii-V-I chord progressions. Pre: Permission of instructor required. 2815: I, 2816: II (2H,2C)
2984: SPECIAL STUDY
Variable credit course.
3024: COUNTERPOINT
Study of the development and aesthetics of contrapuntal techniques throughout the common practice period. Pre: 2026. (3H,3C) I.
3034: FORM AND ANALYSIS
Analysis of musical form by study of musical scores and aural development. Simple and large instrumental and vocal forms. Extensive listening. Pre: 2025, 2026. (3H,3C) I.
3035-3036: ADVANCED EAR TRAINING & KEYBOARD HARMONY
Concentrated and integrated training in sight-singing, melodic, rhythmic and harmonic dictation, and related keyboard skills. Pre: 2036, 2046. (3L,1C) I,II.
3044: ORCHESTRATION & ANALYSIS
An introduction to the craft of scoring and arranging of music for full orchestra. Analysis of scores, small projects and a full orchestration project. Pre: 3034. (3H,3C) II.
3054: INTRODUCTION TO VOCAL/CHORAL ARRANGING
Techniques of arranging music for vocal/choral ensembles. Emphasis on transcription from recordings to develop rhythmic, melodic, and harmonic dictation skills. Discussion, transcription, listening, small writing exercises, final project. Pre: 3035, 3036. (3H,3C) I.
3055-3056: MUSIC AND MEDIA PRODUCTION
Develops advanced knowledge of music production through practical application of music recording and production technologies, including advanced microphone techniques, critical listening, and critical artistic evaluation skills. Individual and group production projects. Hands-on experience with a variety of expressive media technologies including CD and DVD production in a collaborative, inter- disciplinary team approach. Pre: 2056 and continuation examination. 3055: I, 3056: II Pre: 2056. (3H,3C)
3114: SYMPHONIC LITERATURE
Study of representative works of symphonic music from the eighteenth, nineteenth, and twentieth centuries, with corollary readings in the history of musical ideas. (3H,3C) II.
3115,3116: MUSIC IN AMERICA
An introduction to the history and stylistic evolution of American music from the seventeenth century to the present. (3H,3C) I,II.
3124: 20TH CENTURY MUSIC LITERATURE
An introduction to music in Europe and America since 1945; supplementary study in the aesthetics of contemporary music. (3H,3C) I.
3134: VOCAL MUSIC LITERATURE
Covers vocal music of Europe and America, especially music composed the eighteenth century. Examines differences in style and forms of choral and solo-vocal expression characteristic of the Baroque, Classic, Romantic, and Modern eras. Discusses issues of vocal performance practice. Ability to read music required. (3H,3C) I.
3135-3136: HISTORY AND ANALYSIS OF MUSICAL STYLES
The history of Western music from 1100 to the present as an evolution of musical styles. Extensive analysis of the music, stylistic attributes, normative forms, and representative literature of each period. Historical and philosophical background of each period. The study of analytical techniques to improve comprehension and performance. Pre: 2026 for 3135; 2026, 3135 for 3136. Co: 3145 for 3135; 3146 for 3136. (3H,3C) I,II.
3144: EARLY MUSIC LITERATURE
Covers vocal and instrumental music from the Middle Ages to the eighteenth century. Examines differences in style and forms of expression characteristic especially of Medieval, Renaissance, and early Baroque music. Discusses issues of performance practice. Ability to read music required. (3H,3C) II.
3145-3146: MUSICAL STYLES LITERACY LABORATORY
Aural study of Western music from 1100 to the present as an evolution of musical styles. Extensive listening to the music of each stylistic period. Supervised as well as self-paced study using HyperMedia technology. Automated examinations. Co: 3135, 3136. (1L,1C) I,II.
3204: MUSIC FOR CLASSROOM TEACHERS
Foundations and principles of music education for classroom teachers. Music methods and materials from early childhood to the middle school. (3H,3C) I,II.
3225-3226: CONDUCTING
An introduction to the practice and theory of ensemble conducting and leadership. 3225: Basic conducting skills, and choral conducting. 3226: Intermediate conducting skills, and instrumental conducting. Consent required. (3H,3C) I,II.
3314: INSTRUMENTAL ENSEMBLE MUSIC
Instruction and participation in the various instrumental musical performance ensembles under direction of members of the music faculty. 3314 and/or 3414 may be repeated for a combined maximum of 8 hours. Consent and audition required. (3H,1C) I,II.
3414: CHORAL ENSEMBLE MUSIC
Instruction and participation in the various choral ensembles under the direction of the music faculty. 3314 and/or 3414 may be repeated for a combined maximum of 8 hours. Consent and audition required. (3H,1C) I,II.
3815-3816: ADVANCED JAZZ IMPROVISATION
Advanced principles of jazz improvisation. Topics include transcribing and transcription techniques, advanced ear training, study of various improvisational styles, memorization of standard forms and the aural recognition of both major and minor modes. 3815: I, 3816: II Pre: 2816. (2H,2C)
4014: JAZZ ARRANGING
Introduction to contemporary popular harmonic practice and the craft of scoring and arranging music for modern jazz ensembles. Consent required. (3H,3C) I,II.
4015-4016: JAZZ IMPROVISATION
Fundamental principles of jazz improvisation. Topics include: blues, ii-V-I, bebop, and modal chord progressions, chord and scale symbology. Supplementary work in solo transcription: extensive listening. Consent required. (2L,1C) I,II.
4054: MICROCOMPUTER APPLICATIONS IN MUSIC
Theory and practice of digital control and synthesis of music. MIDI data structures and programming from high-level languages. Comprehensive sequencing and transcription techniques. Musical acoustics; analog and digital hardware programming. Digital sound processing and recording. Contemporary music production techniques; industry applications. History and aesthetics of electronic music. Literary in traditional music notation. Working knowledge of any high-level programming language such as C, PASCAL, or FORTRAN required. (3H,3C) I,II.
4055-4056: MUSIC TECHNOLOGY SENIOR SEMINAR
Weekly seminars in music technology with group discussion of progress in current student projects, the current state of artistic and business practices in the recording industry, and guest lecturers drawn from the professional world. 4055: I, 4056: II Pre: 3056. (1H,1C)
4124: SPECIAL TOPICS IN MUSIC HISTORY AND LITERATURE
Specific, indepth study of one of several topics in music history and or literature. Pre: 2116. (3H,3C) I,II.
4514: ADVANCED INDIVIDUAL APPLIED VOICE
Individual instruction in voice at an advanced level. Majors only. May be repeated. Performance continuation exam required. Variable credit course. Pre: 2514. I,II,III.
4524: ADVANCED INDIVIDUAL APPLIED KEYBOARD
Individual instruction in keyboard at an advanced level. May be repeated. Performance continuation exam required. Variable credit course. Pre: 2524. I,II,III.
4534: ADVANCED INDIVIDUAL APPLIED VIOLIN
Individual instruction in violin at an advanced level. Majors only. May be repeated. Performance continuation exam required. Variable credit course. Pre: 2534. I,II,III.
4544: ADVANCED INDIVIDUAL APPLIED VIOLA
Individual instruction in viola at an advanced level. Majors only. May be repeated. Performance continuation exam required. Variable credit course. Pre: 2544. I,II,III.
4554: ADVANCED INDIVIDUAL APPLIED CELLO
Individual instruction in cello at an advanced level. Majors only. May be repeated. Performance continuation exam required. Variable credit course. Pre: 2554. I,II,III.
4564: ADVANCED INDIVIDUAL APPLIED BASS
Individual instruction in bass at an advanced level. Majors only. May be repeated. Performance continuation exam required. Variable credit course. Pre: 2564. I,II,III.
4574: ADVANCED INDIVIDUAL APPLIED FLUTE
Individual instruction in flute at an advanced level. Majors only. May be repeated. Performance continuation exam required. Variable credit course. Pre: 2574. I,II,III.
4584: ADVANCED INDIVIDUAL APPLIED OBOE
Individual instruction in oboe at an advanced level. May be repeated. Performance continuation exam required. Variable credit course. Pre: 2584. I,II,III.
4594: ADVANCED INDIVIDUAL APPLIED CLARINET
Individual instruction in clarinet at an advanced level. Majors only. May be repeated. Performance continuation exam required. Variable credit course. Pre: 2594. I,II,III.
4614: ADVANCED INDIVIDUAL APPLIED SAXOPHONE
Individual instruction in saxophone at an advanced level. Majors only. May be repeated. Performance continuation exam required. Variable credit course. Pre: 2614. I,II,III.
4624: ADVANCED INDIVIDUAL APPLIED BASSOON
Individual instruction in bassoon at an advanced level. Majors only. May be repeated. Performance continuation exam required. Variable credit course. Pre: 2624. I,II,III.
4634: ADVANCED INDIVIDUAL APPLIED HORN
Individual instruction in horn at an advanced level. Majors only. May be repeated. Performance continuation exam required. Variable credit course. Pre: 2634. I,II,III.
4644: ADVANCED INDIVIDUAL APPLIED TRUMPET
Individual instruction in trumpet at an advanced level. Majors only. May be repeated. Performance continuation exam required. Variable credit course. Pre: 2644. I,II,III.
4654: ADVANCED INDIVIDUAL APPLIED TROMBONE
Individual instruction in trombone at an advanced level. Majors only. May be repeated. Performance continuation exam required. Variable credit course. Pre: 2654. I,II,III.
4664: ADVANCED INDIVIDUAL APPLIED BARITONE
Individual instruction in baritone at an advanced level. Majors only. May be repeated. Performance continuation exam required. Variable credit course. Pre: 2664. I,II,III.
4674: ADVANCED INDIVIDUAL APPLIED TUBA
Individual instruction in tuba at an advanced level. Majors only. May be repeated. Performance continuation exam required. Variable credit course. Pre: 2674. I,II,III.
4684: ADVANCED INDIVIDUAL APPLIED PERCUSSION
Individual instruction in percussion at an advanced level. Majors only. May be repeated. Performance continuation exam required. Variable credit course. Pre: 2684. I,II,III.
4714: ADVANCED INDIVIDUAL APPLIED HISTORICAL WIND INSTUMENTS
Individual instruction in historical wind instruments at an advanced level. Majors only. May be repeated. Performance continuation exam required. Variable credit course. Pre: 2714. I,II,III.
4724: ADVANCED INDIVIDUAL APPLIED HISTORICAL STRING INSTRUMENTS
Individual instruction in historical string instruments at an advanced level. May be repeated. Performance continuation exam required. Variable credit course. Pre: 2724. I,II,III.
4734: ADVANCED INDIVIDUAL APPLIED COMPOSITION
Individual instruction in composition at an advanced level. Majors only. May be repeated. Performance continuation exam required. Variable credit course. Pre: 2734. I,II,III.
4744: ADVANCED INDIVIDUAL APPLIED CONDUCTING
Individual instruction in conducting at an advanced level. May be repeated. Consent required. required. Variable credit course. Pre: 3225, 3226. I,II,III.
4815-4816: JAZZ ARRANGING
Contemporary harmonic practice and the craft of scoring and arranging music for modern jazz ensembles. Pre: 2026 and permission of instructor required. 4815: I, 4816: II Pre: 2026. (3H,3C)
4824: JUNIOR RECITAL
Preparation for a public half recital featuring performances of works by established or student composers, or lecture-demonstrations devoted to major works by established composers. Consent required. (1H,1C) I,II.
4834: SENIOR RECITAL
Preparation of a public full recital featuring performances of works by established or student composers, or lecture-demonstrations devoted to major works by established composers. Consent required. (1H,1C) I,II.
4964: FIELD STUDY
Pass/Fail only. Variable credit course.
4974: INDEPENDENT STUDY
Variable credit course.
4984: SPECIAL STUDY
Variable credit course.
4994: UNDERGRADUATE RESEARCH
Variable credit course.
Please see the Graduate Catalog for graduate course listings.
Distinguished Professor: P. A. Distler
Professors: B. L. Carlisle; D. A. Drapeau; A. G. Kilkelly; F. N. Proctor; R. W. Ward
Associate Professors: W. S. Barksdale; D. W. Johnson; G. W. Justice; P. S. Lavender; R. H. Leonard; J.M. McCann; P. A. Raun
Assistant Professor: S.C. Rinehart
Adjunct Professors: J. L. Hodgin; M. N. McDaniel; R. Rose
Career Advisors: G. W. Justice; R. W. Ward;
D. A. Drapeau (231-5335)
The curriculum in theatre arts is designed to provide the student with the essential approaches necessary to develop an informed understanding of theatre in both its literature and its practice. As such, the three basic aspects of the disciplinethe theoretical, the historical, and the practicalare emphasized.
A program in theatre arts leading to the B.A. is offered. In addition to fulfilling the core curriculum requirements of the College of Arts and Sciences and the university, majors must complete a minimum of 35 hours in theatre arts. Theatre arts majors are also required to complete successfully English 4165 or 4166 (Shakespeare), as well as 3 hours each in basic music and art courses.
A minor course of study in theatre arts may be chosen with the guidance of the student's advisor.
Scholarship support is available. Please refer to the School of the Arts general information section for details.
Satisfactory progress toward the B.A. in Theatre Arts requires that:
| TA 2105, 2106: Fundamentals of Theatre Production | 6 |
| TA 2114: Script Analysis | 3 |
| TA 2125, 2126: Performance Lab | 6 |
| or TA 2135, 2136: Design Lab | 6 |
| or TA electives | 6 |
| Credits | (21) |
|---|
2014: INTRODUCTION TO THEATRE
Appreciation and understanding of theatre through historical perspectives, comparison with other art forms, and primary acquaintance with practice and techniques of script interpretation, producing, directing, acting, and all aspects of design. (3H,3C) I,II,III,IV.
2024: INTRODUCTION TO ACTING
The course is designed to lead the non-theatre arts major to an awareness and appreciation of acting, both as a participant (actor) and as an observer (audience). Emphasis is placed on improvisation, ensemble, and scene work. (3H,3C) I,II,III,IV.
2104: FUNDAMENTALS OF THEATRE AND PRODUCTION
Introduction to theatre vocabulary and understanding of the theatrical process, theatre aesthetics, theatrical modes of expression, basic script analysis, production analysis, theory and practice of collaboration, theatre organizations, and history and operations of professional theatres.(TA majors and minors only. (3H,3C)
2114: SCRIPT ANALYSIS
Understanding of drama as an element of theatre with focus on the process of script analysis for theatrical production. (3H,3C) I,II.
2125,2126: PERFORMANCE LAB
An introduction to the process of acting, through a variety of laboratory experiences, beginning with basic performance skills and culminating in the performance experience. 2125: emphasis is on improvisation, terminology, physical action, script analysis, characterization, and rehearsal and performance techniques. 2126: emphasis is on various methods of performance style and analysis, theatre movement and body conditioning, and vocal awareness and production. Limited to Theatre Arts majors. (6L,3C) I,II.
2135,2136: THEATRE DESIGN LAB
An introduction to the processes, technologies, and aesthetics of the visual design of theatrical productions. 2135: Scenography, costume, and stage lighting design are explored in history and contemporary theatre practice. 2136: A range of design problems will offer opportunity to learn various design approaches and provide practice with different media and means of design expression. (6L,3C) I,II.
2414: STAGE AND LIGHTING TECHNOLOGY
A practical study of technologies and specialized equipment employed in the construction, rigging, and running of theatrical production; the planning and organization involved in mounting these productions; the tools, materials, and techniques used to realize theatrical design and build scenery; and the fundamentals of stage lighting. (3H,3C)
2444: STAGE MAKEUP
Basic application of stage makeup with emphasis on corrective, modeling, and three-dimensional techniques. Taught alternate years. (1H,6L,3C) I.
2964: FIELD STUDY
Variable credit course.
2984: SPECIAL STUDY
Variable credit course.
3014: THEATRE PRODUCTION LAB
Production experiences in the areas of performance, design and theatre technology, management, and writing. May be repeated for a maximum of nine credits. Instructor consent required. Variable credit course. X-grade allowed. I,II,III,IV.
3104: JAPANESE THEATRE
Survey of the historical background and distinguishing characteristics of traditional Japanese theatre; special focus on production techniques of Noh, Kabuki, and the Doll Theatre. Taught alternate years. (3H,3C) II.
3105,3106: HISTORY OF DRAMA AND THEATRE
History of drama and theatre from primitive ritual to the present day and its relationship to the social, economic, and political forces from age to age. 3105: primitive, Greek, Roman, Medieval, Renaissance, and Asian. 3106: Restoration, eighteenth, nineteenth, and twentieth centuries. Junior standing required. Pre: 2114. (3H,3C) I,II.
3144: THEATRE DESIGN TOPICS
Rotating topics in design and theatre technology. May be repeated for credit up to a maximum of 9 hours of credit. Variable credit course. Pre: 2135, 2136. I,II.
3154: PERFORMANCE TOPICS
Rotating topics in performance skills and theories. May be repeated for credit up to a maximum of 9 hours. Audition required. Variable credit course. Pre: 2125, 2126. I,II.
3315-3316 (ENG 3315-3316): PLAYWRITING
A workshop course in the craft and art of playwriting which emphasizes the development of craft and the nurturing of vision and art. 3315: primary focus is on the writing of original scripts with additional attention paid to the work of influential playwrights and critics. 3316: promary focus is on the creative process of developing a play with the collaborative influences of a director, actors, designers, and other theatre professionals. Pre: 3315: ENG 1106 or 1204H or COMM 1016 and consent of instructor; 3316: 3315. (3H,3C).
3604: ARTS MANAGEMENT
The development of the not-for-profit arts organization, structures and characteristics of boards of directors, artistic missions and goals, funding, volunteer support, and fiscal control. Junior standing required. Taught alternate years. (3H,3C) II.
3624: STAGE MANAGEMENT
The systems, procedures, forms, and duties of the stage manager in the professional, academic, and community theatre are explored in relationship to the production process and other theatre artists. Taught alternate years. Pre: 2014. (3H,3C) II.
3954: STUDY ABROAD
Variable credit course.
4014: CONTEMPORARY THEATRE SEMINAR
Issues and concerns in contemporary theatre; production philosophies and approaches, employment opportunities, career options, and preparation of portfolio and resume materials. Junior standing required. (3H,3C) II.
4304: THEATRE OUTREACH
Participation in theatre projects or activities that focus on community and social issues. May be repeated for a maximum of six credits. Junior standing and instructor consent required. Variable credit course. I,II.
4315-4316: DIRECTING
Script analysis, theories, techniques, and practical applications of theatrical direction. 4315: Theories and aesthetics of directing, functions of the director, script analysis, basic principles and techniques of staging. 4316: Rehearsal techniques, style determination realism, and non-realism. Senior standing required. (3H,3C) I,II.
4704: PROFESSIONAL THEATRE INTERNSHIP
Internship of one semester in acting, directing, management, design, or technical theatre with a professional equity company for selected advanced students; classroom, workshop, and production experiences. Minimum 9 credits, maximum 15 credits. Audition and consent. Variable credit course. I,II,III,IV.
4964: FIELD STUDY
Pass/Fail only. Variable credit course.
4974: INDEPENDENT STUDY
Variable credit course.
4984: SPECIAL STUDY
Variable credit course.
4994: UNDERGRADUATE RESEARCH
Variable credit course.
Please see the Graduate Catalog for graduate course listings.
Virginia Tech -- Undergraduate Catalog, 2002-2004
Last update: August 2002
URL: http://www.vt.edu/academics/ugcat/ucdSA.html